I’ve always like shooting with Vida. She’s as pro as they come, so much so that some days don’t even feel like we’re working. She does her thing, I do mine, and we’ve each done it 1000 times. So when the publisher of Vida’s mag (yes, she now commands her own entire title) contacted me with the “after dark” concept, I thought “Well, here’s something new.”
For one, I’ve always shot not only Vida, but nearly every other model either in a studio or outdoors in sunlight. Suddenly with an issue that would predominantly feature outdoor night shots, I had to get creative—especially technically. I decided to reach into my old cinematography bag of tricks and pull out all the “night shot” classics: fog machine, silhouettes, out of focus cityscapes—the works.
Read the rest at: http://nicksaglimbeni.com/?p=334